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Like his mother and brother, Maurice had always wrangled with depression. The work was, among other things, a mood stabilizer. It kept him going; it lured and cajoled him back to life.
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He was defending or protecting himself. Without them, there would be only charm. Those close to him sometimes heard the extremes of depression in his voice; he had more than a passing acquaintance with the edge. He smuggled moments of numbed depression into Higglety Pigglety Pop! He is working on a book that he thinks may be his finest.
This makes all the difference to his mood.
He talks about the book as if it has entered the world to redeem him. This seems not an overstatement: The books and drawings and opera backdrops came to save him. Or he dreamed and labored to save himself. Love here is terrifying, consuming, exhilarating; it is infinitely recognizable, even to small children, annihilating, seductive. The British psychoanalyst Donald Winnicott once wrote that the mother must resist making love to or eating her child, which resonates because certain loves are so fierce and urgent, it feels as if you want to bite or eat or consume the object of that love.
Maurice said he dreamed up the idea of the wild things as an adult, at a shiva after someone had died, with his brother and sister. They were sitting around, laughing about their relatives from Europe. Their teeth were yellow. It was like they would gobble up Maurice and his siblings, along with everything else in the house.
The wild things were Jewish relatives.
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There is the lion in Higglety Pigglety Pop! Can you be close to another person without being consumed? He liked to say that when his sister gave him his first book, he bit it.
This Japanese Pop-Up Restaurant Is Serving the Last Meals of Death Row Inmates
This fits with his sensual apprehension of the universe, his physical devouring of people, places; he took things in more sensually than most—he hugged his friends, grabbed their noses, kissed them on the lips. There is a moment in Where the Wild Things Are when Max gets lonely with the wild things, in his tent, in the great orange dusk, and wants to go where someone loves him best of all. For Max, that someone is his mother, who has made him a warm supper with a big slice of layer cake. She is one of the great reassuring presences of a mother in literature, but for Maurice, that person was never his mother.
Did people love him best of all? He voraciously hungered to know that they did.
Maurice liked to watch medical shows. He would be happy sitting at the dinner table, watching a graphic reality-TV surgery show while eating spaghetti. Someone sitting with him might wonder why he liked watching a human body ripped open, what he wanted to see. On some level this could be seen as research, as Sendak belaboring a problem that obsessed him.
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He had always worked extraordinarily hard. Jernigan reportedly refused to eat the meal when it was finally presented to him. The scariest clown not named Pennywise requested a dozen fried shrimp, a bucket of KFC chicken, fries, and a pound of strawberries. Either he still craved that proprietary combo of herbs and spices, or he just assumed that much KFC might kill him before the state of Illinois could. In , a group of anonymous organizers promoted their own pop-up called Death Row Dinners. The history of Lewisham has great ties with this exhibition, which encourages discussion about death and dying.
As a parent you know the birds and bees conversation is around the corner, but when asked about death by my 4-year-old I was unprepared.
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In fact, it can be hugely liberating, and for lots of people it will feel like a relief to finally speak to friends and family members about something so important that we will all have to deal with. The Academy has also organised events linked to the project to be held in Lewisham.
At the end of May another event will explore how to have a good digital death. Please contact Naomi if you want to visit the installation, access further photographs and a digital press pack, and request interviews with The Departure Lounge spokespeople. Please also contact us if you would like to would like to attend the photocall or press preview of the space from Our work focusses on four key objectives, promoting excellence, developing talented researchers, influencing research and policy and engaging patients, the public and professionals.
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The timing of the exhibition coincides with Dying Matters Awareness Week. The Health Foundation is an independent charity committed to bringing about better health and health care for people in the UK. Everest health. Wellcome exists to improve health by helping great ideas to thrive. For further information contact Claire Ryan, Head of Media, c.